In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Ideas 61.3 (2000) 473-492 [Access article in PDF] Sainte-Beuve between Renaissance and Enlightenment Paul Nelles For a period of eight years in the 1840s Charles-Augustin de Sainte-Beuve held a post of conservateur at the Bibliothèque Mazarine. 1 Each day he traversed the gallery of hommes illustres which decorated the reading room. This held busts of major figures from history and literature. In (...) one of his portraits littéraires from these years Sainte-Beuve pretended to derive inspiration from this legion of intellectual heroes. Among the busts stood one of Gabriel Naudé, Mazarin's first librarian in the 1640s. Sainte-Beuve dreamt, he wrote at the time, of placing Naudé's bust beside that of Charron, or even better, between those of Montaigne and Bayle. Through Naudé, Sainte-Beuve avowed to discover the genius loci of the Bibliothèque Mazarine. Yet whatever local reasons there were for the presence of Naudé's bust at the Mazarine, Sainte-Beuve set out in this essay to find a place for Naudé among the pantheon of French thinkers on his own merits. Such playfulness with a biographical conceit of both the literary and visual arts belied serious purpose. If it fuelled Sainte-Beuve's claim to have found in the seventeenth-century thinker "un sceptique moraliste sous masque d'érudit," 2 it was also expressive of a critical campaign devoted to the revision of a received tradition of French thought and learning. Sainte-Beuve [End Page 473] juxtaposed a seventeenth-century tradition of "literary" skepticism independent of formal philosophy with an Enlightenment inheritance he was eager to disown. Central to this task was a disciplinary turn away from philosophical inquiry and the history of philosophy to literary history. This in turn entailed a full embrace of the shadowy inhabitants of the margins of pre-Enlightenment thought from the late Renaissance to Bayle.Sainte-Beuve's discovery of seventeenth-century precursors, as he clearly regarded them, was first sketched in a series of articles in the Revue des Deux Mondes in the 1830s and 1840s. Naudé was thus somewhat more than a random sighting in Sainte-Beuve's critical galaxy. Together with Bayle and a handful of other figures Naudé occupied a key position within the constellation of thinkers Sainte-Beuve charted in plotting a course for the practice of literary history and criticism in the middle years of the nineteenth century. The context of the development of Sainte-Beuve's enterprise illuminates an intriguing aspect of the historiography of skepticism in modern intellectual history. While functioning in part to legitimize literary history as a discipline, the circumstances of Sainte-Beuve's undertaking are rooted in wider contemporary currents of historiography and the philosophy of history. There is, then, a crucial disjuncture between the tradition Sainte-Beuve set out to describe and that established in the twentieth century under the rubric of libertinage. Sainte-Beuve did not seek to establish seventeenth-century origins for Enlightenment free thought. Rather, he turned to the seventeenth century in an effort to exhume a tradition of criticism and literary skepticism with which, on his account, the Enlightenment had openly broken. 3Sainte-Beuve's interest in Naudé, Bayle, and other figures derived from a need to differentiate the orientation and method of literary history from contemporary mechanisms for assessing the significance of France's intellectual and cultural heritage. For all concerned this was a heritage unquestioningly viewed through the prism of the political events of 1789 and their aftermath. According to Sainte-Beuve, la critique emerged in the seventeenth century with thinkers such as Charron, Naudé, and Bayle. From his standpoint, the significance of such figures inhered entirely in their pre-Enlightenment status. They vividly illustrate how the Enlightenment had deviated from a well-established tradition of la critique. The degree to which they served as a foil to the Enlightenment becomes evident when contrasted with Sainte-Beuve's characterization of mainstream Enlightenment figures. [End Page 474]For Sainte-Beuve and his contemporaries literature was not yet restricted to a narrow canon... (shrink)

Tracer des ponts entre la philosophie et la théologie, à travers un discours qui ne sacrifie jamais la raison sur l'autel de la foi, mais qui utilise l'éclairage de la Parole de Dieu pour stimuler la réflexion philosophique, tel est le pari de Charles-Éric de Saint Germain dans ses Écrits philosophico-théologiques sur le christianisme.

L’histoire économique nous enseigne que si le progrès technique ne profite pas à tous les travailleurs lorsqu’il apparaît, à long terme il est le facteur principal de la hausse extraordinaire des salaires et du niveau de vie que l’économie mondiale a connue depuis la révolution industrielle. Pourtant, les progrès de la robotique pourraient bien remettre en question cet optimisme et donner raison aux Cassandre qui prophétisaient la fin du travail. En effet, le champ de ces technologies ne cesse de progresser, (...) au point où la totalité des tâches effectuées par les humains serait robotisable. Si c’est le cas, l’économie et la société en seraient profondément transformées. On considère six scénarios. Dans trois d’entre eux, une classe humaine quasi-oisive se maintient grâce à des transferts prélevés sur la production effectuée par les robots. Ces transferts peuvent s’effectuer à travers l’État-Providence, le clientélisme d’une oligarchie possédant les robots, ou le maintien néo-fordiste d’emplois tertiaires dont la fonction essentielle serait le versement d’un salaire qui permettrait le maintien du pouvoir d’achat. En l’absence de mécanismes redistributifs, on envisage trois autres scénarios. Selon le scénario des rentiers, une classe de propriétaires de robots émerge, suffisamment nombreuse pour s'opposer politiquement à des transferts redistributifs. Selon le scénario malthusien, le salaire tombe au niveau du salaire de subsistance et la population humaine diminue, ne laissant subsister qu’une classe de rentiers vivant de la possession de robots. Selon le scénario virtuel, le salaire de subsistance lui-même baisse considérablement sous l’effet des nouvelles technologies : la population se maintient en dépit des baisses de salaire. (shrink)

Essays cover Marx, Karl Mannheim, Max Weber, Clifford Geertz, Louis Althusser, Jurgen Habermas, Henri de Saint-Simon, and Charles Fourier.

Interwoven with natural structurations and personal history, the flesh , in Merleau-Ponty's gradually-forged conception, is nourished by the combined influences of neurology, Gestalt psychology and psychoanalysis. This triple influence undergirds a recurring theme in his later writings: the mirror . "The flesh is a mirror phenomenon," Merleau-Ponty tells us. The unpublished manuscripts reveal that this famous clause refers neither directly to Husserl, nor to Wallon and Lacan, but is driven by contemporary readings of Paul Schilder and Wolfgang Metzger, who (...) study the phenomena of distanciated migrations of the body-image in vision. The mirror mingles objective body with phenomenal body, in an effective community between my lived body and its external image. It shows how the flesh lives both within and outside of itself, animated by an essential incompleteness that engages perception in a process of incorporation and, thus, hints at intercorporeity. (shrink)

Nous étudions ici l’une des figures les plus originales et les plus complexes de l’univers du dernier Merleau-Ponty, l’une des moins bien comprises aussi : la « promiscuité ». Aussi polymorphe que la célèbre figure de l’«empiétement », la «promiscuité » appartient en propre au complexe de la psychanalyse ontologique de Merleau-Ponty. Elle décrit d’abord la logique des rapports archaïques avec autrui, et se situe en cela dans la ligne du travail sur l’intercorporéité. Elle désigne aussi la modalité connaissante de (...) la chair, tout en indiquant notre résistance à celle-ci, notre ignorance naturelle de la chair comme être de promiscuité. Elle habite bientôt le cœur de la conception merleau-pontienne de l’inconscient, dans le prolongement des travaux de Paul Schilder sur l’image du corps. Enfin, elle vient renouveler dans les derniers manuscrits l’idée même de mystère ontologique. La chair, être de promiscuité, vit dans la promiscuité de l’être. Et la philosophie, d’après Merleau-Ponty, devrait être le savoir cohérent des visages apparemment si divers de cette ultime figure du lien. (shrink)

The author argues, with reference to a number of Merleau-Ponty’s unpublished manuscripts, that the philosopher’s notion of encroachment (empiétement) has origins in Simone de Beauvoir’s 1945 novel The Blood of Others. He examines how the two philosophers approach the encroachment of freedoms, the political stance of pacifism, and the interpretation of Voltaire’s Candide (Part I). The impact of Élisabeth Lacoin’s death on Beauvoir’s and Merleau-Ponty’s philosophies, as well as their relationships with Jean-Paul Sartre is also considered (Part II).

De publicatie van de Perzische brieven van Charles-Louis de Secondat, baron de La Brède et de Montesquieu (1689-1755) zorgde voor grote deining in het frivole en verdeelde Frankrijk van 1721. Montesquieu werd op slag een van de meest bewierookte intellectuelen van zijn tijd. Later schreef hij over de opkomst en de ondergang van het Romeinse Rijk. Zijn meest 'geleerde' werk, 'Over de geest van de wetten' (1748), was de echte prelude tot de sociale wetenschappen, tot een verreikend nieuwe kijk (...) op mens en samenleving. Montesquieu's oorspronkelijke denken kent nog steeds vele bewonderaars, maar roept ook vandaag nog controverse op. 0In 'Montesquieu: enigmatisch observateur' brengen twaalf auteurs zijn veelzijdige oeuvre opnieuw tot leven. Zij denken door op de onderwerpen die Montesquieu tot een groot schrijver maakten, op de polemieken die hij veroorzaakte en de pennen die hij in beweging bracht. Hun essays kijken naar Montesquieu vanuit een filosofisch, politiek, sociaal, literair en juridisch perspectief. (shrink)

L’abbé de Nantes est plus connu comme prêtre traditionaliste, parmi les premiers opposants a Vatican II et a Paul VI, que comme fondateur en 1957 d’une congrégation de moines missionnaires, les Petits Frères du Sacre Coeur, qui se voulait directement inspirée par Charles de Foucauld. Pourtant, sa vocation religieuse vient du film à grand succès L’appel du silence (1936) qui présente le destin commun de l’ermite et de Laperrine, ≪ le soldat de la foi et le soldat de (...) la France ≫. Né dans une famille d’Action française, l’abbé pense Charles de Foucauld à travers l’autre Charles, Maurras. Il en fait l’icône d’un empire chrétien français, incarné par une Algérie française idéalisée, au moment ou la colonisation s’effondre et ou l’Église romaine accentue son détachement à l’égard du national catholicisme. (shrink)

This article is about a period of technology transfer – the late 1910s and 1920s – when wartime aerial reconnaissance techniques and operations were being adapted to a range of civilian uses, including urban planning, land use analysis, traffic control, tax equalization, and even archaeology. At the center of the discussion is the ‘photomosaic’: a patchwork of overlapping aerial photographs that have been rectified and fit together so as to form a continuous survey of a territory. Initially developed during the (...) First World War to provide coverage of fronts, photomosaic mapping was widely practiced and celebrated during the postwar years as an aid to urban development. The article traces both the refinements in photomosaic technology after the Armistice and the rhetorical means by which the form’s avant-garde wartime reputation was domesticated into an ‘applied realism’ that often effaced its site-specific perspective, its elaborately rectified optics, and the oppositionality of both its military and civilian uses. The article has a broader theoretical aim as well. Classic statements of both structuralist and post-structuralist spatial theory (Barthes and de Certeau are the primary examples here) have produced an ossified geometry wherein the vertical is the axis of paradigm, top-down strategy, and manipulative distance and the horizontal the axis of syntagm, grassroots tactics, and resistant proximities and differences. In its close study of the technology and rhetoric surrounding interwar photogrammetry, the article provides an example of how one might reverse the long-standing misrecognition of high-altitude optics as effacing time, difference, and materiality – and what it might mean to view such optics as, instead, a resource in turning from abstract toward differential conceptions of both aerial photography and our theoretical habits. This turn I call ‘applied modernism’, a term that accesses both the wartime photomosaic’s affiliation with avant-garde painting and its insistence that portraits of the total are always projections from partial, specific vantages. (shrink)

Normal 0 21 false false false ES X-NONE X-NONE MicrosoftInternetExplorer4 The present text shows the sense of the interpretation of Saint Paul and Saint Augustine that Heidegger carry out in his early Freiburg lectures. Concretly, I will point out the reason why Heidegger recovers some aspects of the christianity for his philosophical project and also to show which are the concrete elements that Saint Paul’s Epistles and Saint Augustine’s Confessions contribute to him. In this (...) way, we will be able to appreciate, among other things, the importance granted by Heidegger to the accentuation of the self-world ( Selbstwelt ) and the temporality who is typical of the Christian experience of live. (shrink)

This volume contains a translation of Andre Seguenny's 1975 Homme charnel, Homme spirituel. Etude sur la Christologie de Caspar Schwenckfeld (1489-1561), with a preface by Seguenny in which he gives his reasons for leaving this work unrevised. In this study Seguenny places Schwenckfeld's theology between Catholicism and Protestantism, arguing that Schwenckfeld's theology can be understood better in relation to the Renaissance, Christian humanism, and Erasmus than to the Reformation and Luther.

Si Bentham s’oppose explicitement plus souvent à Hobbes qu’il ne lui donne raison, la dette qu’il contracte à son égard est beaucoup plus étendue qu’il ne le laisse paraître. Sans doute le primat des affaires civiles sur les affaires religieuses est incontestable chez les deux auteurs. Toutefois, si les ouvrages de Hobbes sont directement en prise sur la guerre civile qui sévit en Angleterre, l’œuvre de Bentham affronte un autre problème : est-il possible de rendre le christianisme compatible avec l’utilitarisme? (...) Malgré ces différences importantes, l’articulation du religieux et du politique repose étonnamment, chez l’un comme chez l’autre, sur la théorie des fictions, entendue plutôt comme dépendante de l’imagination chez Hobbes, et du langage chez Bentham, mais dans les deux cas comme technique pour problématiser les inversions que permet la distinction de ce qui doit être pris tantôt comme entité réelle, tantôt comme entité fictive. (shrink)

Alain Badiou’s philosophy is an attempt to re-establish truth in modern thought. The main – and indeed sole – criterion for truth is universality, he argues in all of his works, including the one on Saint Paul on which this essay focuses. In this book, Badiou argues that most of Saint Paul’s doctrinal topics can be related to the main concerns of his own thought. Thus Paul’s belief in Christ’s resurrection illustrates his own theory of (...) the ‘event’; Paul’s characterization of the church is linked with his own theory of the subject; and, finally, Paul’s entire intervention can be seen as one of the first affirmations in history of truth’s main criterion: universality.This article demonstrates how an unarticulated assumption secretly sustains Badiou’s entire theoretical framework: his belief in universal truth is supported by a belief in being’s inherent goodness. Badiou’s ‘ontology’ thus appears not so exclusively formal as he claims. Through a confrontation between Badiou’s interpretation of Paul and a reading of chapter eleven in Paul’s Letter to the Romans, the essay shows how the universality that Paul’s text claims contains an important element that Badiou’s reading – and his entire philosophy – neglects. This element involves a distorted dialectics that has resonances with both the Derridean concept of the ‘originary supplement’ and Lacan’s notion of ‘objet petit a’. The essay closes with some critical reflections on the way Badiou connects truth with time. (shrink)